Recipient of the 2007 Golden Globe Award for Best Drama Television Series and multiple Emmy nominations, including Outstanding Drama Series for the past two years, "Grey's Anatomy" returns to the ABC Television Network for its fifth season.
Is "happily ever after" possible for Meredith Grey and Derek "McDreamy" Shepherd? With Meredith experiencing a breakthrough in therapy - the realization that she and Derek can be extraordinary together, rather than ordinary apart -- she and Derek now face the highs and lows of being a committed couple.
Continuing their first year as residents at Seattle Grace Hospital, Meredith, Cristina Yang, Izzie Stevens and Alex Karev have interns of their own to mentor, including Meredith's half-sister, Lexie Grey. Lexie has become a roommate and confidante to George O'Malley, who, after divorce with Callie, a breakup with Izzie, and learning that he failed his residency test by only one point, is striving to get both his professional and personal life back on track.
After attending to his girlfriend Rebecca's mental illness on his own, and revealing that he had gone through this with his own mother, Alex finds solace in Izzie's arms. Alex must continue through this difficult time, whether or not Izzie remains by his side.
Cristina, having finally won out over her tough-as-nails mentor, Erica, is back on track as a surgeon - but is there a chance for new love in her life as well?
With the encouragement of Mark "McSteamy" Sloan, Dr. Callie Torres has taken a chance on love with cardiothoracic surgeon, Erica Hahn; now, she and Erica must figure out what happens after the first kiss.
Overseeing the residents is the no-nonsense Chief Resident, Miranda Bailey. Facing marital troubles and the difficulty of balancing her work and personal life, Bailey has handed her responsibilities as head of the free clinic over to Izzie. Also striving for balance is Chief of Surgery, Richard Webber, who has reunited with his estranged wife, Adele.
The doctors of Seattle Grace Hospital deal with life-or-death consequences on a daily basis - it's in one another that they find comfort, friendship and love. Together they're discovering that neither medicine nor relationships can be defined in black and white. Real life only comes in shades of grey.
"Grey's Anatomy" stars Ellen Pompeo as Meredith Grey, Patrick Dempsey as Derek Shepherd, Sandra Oh as Cristina Yang, Katherine Heigl as Isobel "Izzie" Stevens, Justin Chambers as Alex Karev, T.R. Knight as George O'Malley, Chandra Wilson as Miranda Bailey, James Pickens, Jr. as Richard Webber, Sara Ramirez as Callie Torres, Eric Dane as Mark Sloan, Chyler Leigh as Lexie Grey, and Brooke Smith as Erica Hahn.
可以看出丹尼尔·克雷格的演技，但是两个半小时多的长度实在是催眠……而且实在是没啥新意了……（一周内补完了丹尼尔·克雷格所有的007电影）
首尾两段最拉跨。《诗》太动人了，几度落泪。
可能这是唯一一部能让我流泪的007吧。明知是套路，还是妥妥地、心甘情愿地被套路。
今年国庆的命题作文3>2>4>1，国际章阔以的
是一个多么不好的创作取向啊
我觉得吴京的乘风挺好的 那个时候祖国太难了 生命太不容易了，好好生活啊，章子怡和徐峥的胜在小演员投入很容易打动人，沈腾团队的演员是真搞笑😄都还不错 不做比较
金刚不坏零零七，车技枪法都第一。
为了自由
整体偏美式价值观了，简直像钢铁侠浪子回头，或者真人版超人总动员。
上一集写了什么、那些人物是谁也都不记得了，所以这部才真的是非系列粉就看不了吧……但估计真的系列粉会接受不了Bond变爸爸带孩子的虐心情节
Ana太惊艳了，有当年Eva出场时的感觉，依然是制作精良，动作场面很大，摄影很好，剧本普通，这次告别了，为邦德的谢幕加一星，to James Bond
点映场看的，不剧透。第一节 乘风，有三点BUG；第二节 诗 ，真诚感动，最喜欢的一节；第三节 鸭先知，中规中矩；第四节 少年行，偏温情搞笑，也中规中矩。总体三星半吧，最喜欢的还是 诗。
亮點 開頭的意式美景，安娜、雷雅。跟該死的結局。其他每個橋段都猜的到，有點乏善。最後紀念自己的2006-2021這段時光，像品一瓶老酒/板威秀imax
还能说啥，这种凸凸凸…的片子还是在家看吧，震的脑壳痛 又没什么逻辑可言，反正就是主角牛逼，你把子弹存货都打空了也射不中一发到主角的肉里，何必呢
整体完成度上《鸭先知》跟《乘风》能看。我和我的父辈，其中的“我”都是男性，《诗》（这个跟《祖国》里的一个撞梗了，这个更加滥情）最终延续父辈成就的是妹妹，但在故事中拥有完整视角的仍然是哥哥。不知道为什么总要在电影里无所不用其极地丑化小朋友，我们真的没有那么虚荣那么势力那么尖酸刻薄。“比爹”又一次在电影里无比熨帖地成为情节的核心推动力和主要价值导向，这就是现在国产电影为什么让人感到恶心的一大原因。
可以看出丹尼尔·克雷格的演技，但是两个半小时多的长度实在是催眠……而且实在是没啥新意了……（一周内补完了丹尼尔·克雷格所有的007电影）
结尾有种明明死不了还非要等死的感觉，硬生生画句号。妹子穿个大深V随时怕她走光，小本只有每次演Q的时候才显现出残存的少年感。玛泰拉美
即便带着粉丝滤镜去看，也难掩失望。本以为在一片骂声和质疑中，用15年光阴塑造出一个有血有肉的特工形象的Daniel，会有一个更令人深刻的谢幕。可惜，在他最后的时刻里，我发现我连眼泪都哭不出，这让我更难过。
我觉得邦德大叔的肚子还可以再减减。。我以为就从此不让亲亲抱抱举高高已经算狠的了，非得把人炸飞是什么道理？？？
唯一無涉生生死死的徐崢部分，也顯然帶來了最好的觀感。其原因除卻徐崢的導演技術同演技，以及一以貫之的對上海弄堂“小男人”的關注和著墨，更重要的是當代大部分觀眾更容易認同徐崢拍攝的時段及所傳達的價值。而相比之下，我們還很難找到重新講述戰爭與革命時代中國經驗的新鮮邏輯和手段，即便是在國人已對那套“大時代”的舊話語感到極度疏遠、拒斥乃至質疑的情况下。但正如廣告從有政治風險的破冰事物，到今天已為人們習以為常以至甚為反感；早早買房“上車”者從人人豔羨的對象，到今天常被視為阻礙城市社會階層流動的既得利益者，觀眾對這套對市場化加以歌頌的話語邏輯，可能也會經歷一個從樂見到厭倦再到批判的過程（參見不少知乎網友對徐崢部分的通俗政治經濟學批判）。届時，徐崢的故事恐怕也需要找尋新的講述方式。2021年10月12日於太古倉。
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